![]() If you’re just trying to find a “space” for your vocal, this might be a good starting point. Given that room reverb creates the perception of a smaller space, room reverb is best for a vocal sound that is upfront, close, or intimate. Room: This type of reverb creates spaces that often sound natural to the walls of the “room” you’re simulating. A good choice if you want to make something sound at a distance, dreamy, or epic. Hall: Simulating a concert hall, it performs well with long tails because of its smooth decay and low modulation. It’s metallic attack gives it a bit of extra pop that can be good or bad if you’re wanting it to blend in more. Easy to make noticeable in a mix due to its often bright but smooth character with a bit of natural modulation. Let's take a look at some different spaces in Neoverb and why you might use them for your vocals. For instance, use the brightness of plate reverb to help vocals cut through a busy mix, room reverb for vocals to sound close and intimate, or hall reverb for dreamy or large sounding vocals. ![]() What reverb type is best for vocals? You can use any kind of reverb for vocals, but depending on the intended effect, certain reverb types might work best with the mix and the vibe you're going for. Choose a reverb type for vocals that works for the mix This is what it looks like in Pro Tools:Ģ. To do add reverb on an aux track, make a new aux/bus track with a 100% wet instance of Neoverb, and send your dry vocal channel to that effects bus channel. This technique is called mix bus processing and we have a whole tutorial on it if you want to dive in. Therefore, reverb should be treated as its own element, and you should have the ability to process and affect it as such. Doing so allows you to treat the reverb signal as its own distinct element in the mix. With reverb, you’re essentially adding another signal to the mix, like if you added another instrument. ![]() Sending the vocals to an aux channel is the recommended method for adding reverb to vocals because it allows you to process the wet and dry signal separately, giving you greater control of the mix. While you can add reverb directly on vocals as an insert effect, the recommended method is to add reverb on an aux channel and route the vocals there for mix bus processing. You then want to raise the level of the reverb aux channel to taste, EQing out frequencies that mask the main vocal. Be sure to click the links to learn more.What are the best vocal reverb settings? Typically, you want to set a 100% wet reverb on an aux channel using a reverb type that works for your song, a pre-delay time that allows the dry vocal to cut through, and decay time that aligns with your song's tempo. Here on Reverb, we have tons of content to both teach you about how mixers work and give you some curated picks based on your use-case-like some of the best budget mixers for live electronic music sets, how to choose a mixer for live synth performances, and some great picks for mixers to round out your PA setup. If you have passive speakers, however, take a look at our collection of powered mixers to find the best option for you. On this page, you'll be able to find a variety of great passive mixers-the perfect complement to the powered speakers that round out your PA system. Anyone looking to get some analog flavor from your digital multitrack recordings can do so with an analog summing mixer. If you're looking to mix a few signals for a podcast, a small, straight-forward mixer with a couple of mic inputs, basic routing and a USB port is the way to go. On Reverb, you'll find an enormous selection of all types of mixers, from Yamaha MG-series to PreSonus StudioLive mixers, SSL 4000E's to discrete Neve BCM10 sidecars. Audio mixers come in a variety of types, sizes and configurations-analog and digital-from compact desktop units with just a few inputs to nine-foot-long large-format recording consoles and everything in between.
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